Trained in Fine Art Photography at the New York Film Academy (2021–2022), Linh’s practice explores the emotional and habitual landscapes of contemporary human experience through the lens of personal and everyday life experiences. Her work examines the quiet tensions between private emotion and collective social reality, often focusing on subtle moments and overlooked details that reveal shared human conditions.

 

By observation, Linh documents details she feels instinctively drawn toward, later revisiting and analyzing these fragments as a way of understanding both herself and the environments she inhabits. Working primarily with photography, she approaches image-making as an ongoing dialogue rather than a fixed conclusion—one that evolves alongside both self and society.

 

Linh’s visual language is also an in an evolving state, and better understood by reading through her full body of work, as opposed to reading an individual image. She designed this website in so that the audience may navigate her work as she intended. Her presentation methods are shaped by the conceptual nature of each project, considering how form influences emotional digestion and memory.

 

Her approach to creativity rooted from the story of Khaos in Greek mythologies. A void where opposing conditions coexist - because nothing exists, every possibilities exist as well. Empty of matters but also filled wonders. Through subtle visual narratives and context-specific formats, she invites viewers to slow down, observe the overlooked, and reconsider their own memories and perceptions from a more reflective perspective.

 

Now living and photographing in Ho Chi Minh City, Vietnam, Linh has established herself within the local fashion industry, working across catalogue, lookbook, and campaign projects for brands such as Libé, Laminapparel, and Thome. Although, she refuses to be a photographer defined by a category, as her approach is driven by research and building narratives from scratch, translating concepts into physical forms.​​